Showing posts with label tree. Show all posts
Showing posts with label tree. Show all posts

Monday, January 15, 2018

Joshua Tree (Yucca brevifolia)



I've been many places across the US, but there is only one place that really speaks to me—Joshua Tree National Park. I first experienced the park when I moved to San Diego in late summer of 2013, and upon my first visit, I knew that this was a place that was incredibly special for me. Many see it as an arid place with weird outcroppings of rocks and spiky trees. For me, those rocks are puzzles in which to climb with ropes to test my own skills, or to scramble up on then sit to admire the gorgeous view and have time for me, and the Joshua Tree, well, it's just amazing. They are only found in this one part of the world, they look Dr. Seussian, but are part of the yucca family. From the first time I saw them, I fell in love with them.

Due to climate change, this species is moving towards being an endangered species. My tattoo is of a specific Joshua Tree that can be found at 34°02'19.8"N 116°11'03.3"W. Thanks to Mike Stobbe at Avalon II for giving me my own Joshua Tree.

Beth Redmond-Jones
Vice President of Engagement and Education
San Diego Natural History Museum

Want to share your own story and tattoo?
Email Beth: bredmondjones (at) sdnhm (dot) org or Paul: info (at) orselli (dot) net.

Monday, July 25, 2016

Deep in the Woods



I've moved around from one city to the next throughout my museum career, but my heart has always belonged deep in the woods. When I'm not doing what I love in the museum world, I'm typically off hiking through nature or camping in the backcountry. My tattoo is one way I can have nature with me no matter where I happen to live. The stylized tree is the focal point of the design, with mountains far off in the distance.

As a collections manager, I've always been responsible for integrated pest management (IPM), and have spent quite a bit of time learning about insects in general, those hazardous to museum collections as well as those beneficial to the environment. I volunteer as a butterfly monitor, so my design also has representations of my favorite butterfly, the Spring Azure (Celastrina ladon), a butterfly that exists all over North America. I've seen them throughout all of the cities I've lived in, as well as places I've hiked through, including Alaska.

Britta Keller Arendt
Senior Collection Manager
Chicago History Museum


Want to share your own story and tattoo?
Email Beth: bredmondjones (at) sdnhm (dot) org or Paul: info (at) orselli (dot) net.

Monday, January 27, 2014

Baroque curlicues, tree, crows, and more

To many people tattoos are permanent souvenirs – of loved ones, memories, life-defining events, admired celebrities or artists, religious beliefs – but to me they are decoration. My tattoos have no meaning. Baroque curlicues work up one arm and spill into a tree form with crows flying outwards. Most recently I have added a destination for the crows with a sailor’s compass on my upper shoulder and an arrangement of antique cogs and English ivy flowing down my left arm.

For an art historian it is intriguing to offer yourself as a canvas. And I have a great artist in Amy Black of Trademark Tattoo in Richmond, VA. Richmond is one of the most tattooed cities in America and tattoo is as much a part of our visual culture here as the great works of art in the museum.

Robin Nicholson
Deputy Director for Art and Education
Virginia Museum of Fine Arts 





Want to share your own story and tattoo?
Email Beth: beth (at) redmond-jones (dot) com or Paul: info (at) orselli (dot) net.