Bouquet of Wire Flowers

Although I didn't do so well in undergrad art history, I did discover a love for Alexander Calder. In 2013, as part of a hair/blog project (changingthelocks.com), I decided to get another tattoo. Scouring Calder books, I found this image:

Apparently, it was a gift. The caption reads, "When she was in the hospital, Calder visited and left on her bedside a bouquet of wire flowers (fig. 63), explaining that they would last longer than the real things." The flowers on me represent my family—me and my babes: 

Having done museum exhibits for years on a variety of topics, a new job has me faced with art for the first time. I'll draw inspiration from my ink.

Beth Kaminsky
Exhibit Coordinator
Denver International Airport


Want to share your own story and tattoo?
Email Beth: bredmondjones (at) sdnhm (dot) org or Paul: info (at) orselli (dot) net.

Space/Ships

Dan Bramos was kind enough to share some images of his tattoos and the stories behind them.

My story is reversed. I had the ink and then became a museum guy.

In 2011, I retired from the Navy after 21 years. Over my career, I traveled to many places, some pretty cool, most not very cool at all. On my travels, I picked up some mostly sub-par tattoos. Once I retired, I decided to do better with my ink, especially not having to make it on just a Sailor's income.

In addition to being a Sailor, I've been a space, spaceflight, science, and science fiction enthusiast my entire life. I grew up knowing that I was born on the day Apollo 16 splashed down, but what really kicked it into gear was watching Columbia launch for the first time. I was nine, drew a picture, wrote a letter and sent it to NASA. Very shortly, I received a letter and autographed picture from John Young and Bob Crippen. That sealed the deal. I've been a space geek ever since.

Through my Navy career, I've been privileged to work with a lot of great Sailors and Officers, a few of whom have gone on to be astronauts that I've kept in contact with.

Early in the summer of 2013, my wife and I were looking for an above average tattoo shop and found Lucky Bird Tattoo in Annapolis, Maryland. I sat down with Tyler McKinney and explained that I wanted something that combined my naval career and love of space. The sailing ship encompasses my time underway, the wings and engines on the ship are representative of the time I spent working on all kinds of Navy and Marine Corps aircraft.

I told Tyler to fill in the rest with a space-scape, which he did entirely freehand. My only request was that he use the Butterfly Nebula in there somewhere since it's my favorite pic from the Hubble Telescope.

This past year, I met a couple of gentlemen that were working on opening a spaceflight museum in Southern Maryland. I took the opportunity to volunteer and put some hours in to help get it ready. Now, after a year I'm the Operations Manager (which really means I'm the head box mover and astronaut impersonator) of the Spaceflight America Museum and Science Center in Prince Frederick, Maryland. We'll be having our Grand Opening on May 29th and 30th, 2015 in just over a month! The SAMSC is located in the Arthur Storer Planetarium at 500 Fox Run Rd. and specializes in STEM activities with a concentration on manned spaceflight.

Thanks for sharing your Museum People's Tattoo story, Dan --- and Good luck with the opening of SAMSC!



Want to share your own story and tattoo?
Email Beth: bredmondjones (at) sdnhm (dot) org or Paul: info (at) orselli (dot) net.

Ötzi the Iceman's Tattoos

We're counting Ötzi the Iceman as an honorary participant in the MPT blog, since he is inside a museum and he does have tattoos!

This cool article from Discover magazine, highlights how anthropologists have mapped the tattoos on Ötzi's  5,300-year-old remains using a new imaging technique.

Researchers hope this new census of the tattoos will help explain why Ötzi may have had the over 60 distinct linear designs on his body.  The tattoos may have indicated the locations for acupuncture treatments, or perhaps the tattoos were the treatment for various injuries.

Interesting to think that we can still discover new things from some very old tattoos!


Want to share your own story and tattoo?
Email Beth: bredmondjones (at) sdnhm (dot) org or Paul: info (at) orselli (dot) net.

Methuselah Tree

I had been pursuing another idea based around my life as a musician, but this image of the Methuselah tree kept coming back to me. The Methuselah tree, at about 5,000 years old, is the oldest continuous living non-clonal organism in the world. (For info on clonal organisms, check here...http://en.wikipedia.org/wiki/Clonal_colony). It is a Great Basin bristlecone pine (Pinus longaeva) that grows in the eastern slopes of the Sierra Nevada mountains. I love the toughness of the shape, its gnarled quality, and its textures. It makes me feel young! The four birds are about our family, my wife and twin daughters who have graduated from college and are (sort of) leaving the nest. Ian Healy of Vanguard Tattoo in Nyack, NY did this tattoo. 

Thanks to the Museum People's Tattoo page for the encouragement!

Eric Siegel
New York Hall of Science


Want to share your own story and tattoo?
Email Beth: bredmondjones (at) sdnhm (dot) org  or Paul: info (at) orselli (dot) net.

Athenian Owl

Jennifer Caleshu was kind enough to share this story of her tattoo:

Based on the Athenian Owl from coins of ancient Greece - symbol of Athena, goddess of wisdom.

Owls also remind me of listening, and symbolize my new career (teacher, coach). The oak leaves are for my home, and the acorns are my kids. On the top of the owl's wing are what the artist called "Thai dragon scales" - which is amazing since I first committed to getting an owl when I was in Thailand this summer for the Berkeley Executive Coaching Institute - right when I left for Thailand we had hired my replacement at the Bay Area Discovery Museum - so it was a real time of transition...

Tattoo artist Buffy Lauer at Sacred Rose Tattoo in Berkeley:
http://sacredrosetattoo.com/section/146209_Buffy_Lauer.html


Want to share your own story and tattoo?
Email Beth: beth (at) redmond-jones (dot) com or Paul: info (at) orselli (dot) net.

Occult Musings

One thing I love about being an exhibit designer is that you learn about so many fascinating things and meet such interesting people. I have very wide interests: this tattoo represents a few of my more spiritual or occult musings. It is also meant to look weird and cool. The hand with the eye is sometimes seen in a more abstract form as the Hand of Fatima: it offers the wearer protection form the evil eye (this I find useful). Ouroboros, the snake swallowing its own tail, is an infinity sign and reminder, to me of, Karmic cycles. The other symbols are: Sacred Earth, Anhk, Moon, Yin-yang, Triskele, Venus, Mercury, and Virgo. I find these symbols, along with the Hinduism reference implied by the blue hand, to each have a personal significance and reflect my pan-agnostic and ever-intrigued world view. The tattoo artist is Juli Moon, www.julimoonstudio.com, in Lynn, MA.

Paula Millet
Exhibit Designer/Consultant
millet3@verizon.net


Want to share your own story and tattoo?
Email Beth: bethredmondjones (at) gmail (dot) com or Paul: info (at) orselli (dot) net.

Ginkgo Leaves

Christina Ferwerda shares this about her tattoos:

Early on in my career as an exhibit developer (in fact, during my first paid internship) I was asked to work on a professional development project for the National Parks Department. As they manage a number of sites that have both natural and scientific significance, the firm I was interning for directed me to go out to the local city park and root around.

Coming from an art and history background, I initially gravitated to the monuments, bronzed statues of dead white men high up on pedestals. But then, because of (or perhaps in spite of, I’m never quite sure which) that same art and history background, I ended up gravitating towards a simple leaf fluttering in the breeze overhead. The bi-lobed shape was visually pleasing, like a Japanese fan or a Belle Époque lady in a bustled dress. The leaves have dichotomous venation, meaning that the veins bifurcate from the stem but never criss-cross.

This simple discovery lead to a fascinating series of discoveries – Ginkgo trees were thought to be extinct until the 1690s, when they were found in a Buddhist temple garden in China. The Ginkgo trees in Hiroshima were amongst the first things to bloom after the atomic bomb destroyed the city. Ginkgoes are also incredibly hardy (often referred to as “living fossils”), which is why they are planted so widely in urban environments. This continuous unfolding was one of the most satisfying learning experiences in my Museum career, and when I work I often think of how to create or inspire that kind of unfolding in others.

I’d wanted to get the leaf as a tattoo, and went many times to different studios in Brooklyn to ask about getting it done. In the meantime, life went on. I’ve continued to grow my museum career, as well as starting a serious yoga practice, starting to study Buddhism, moving, and of course starting and ending a few relationships. The symbolic ginkgo in my mind was similar to its real-life counterpart – it was a survivor. And so just a few years ago, on a particularly rainy vacation in Seattle, I made an appointment at an unknown studio, and got the leaves inked onto my shoulder. It’s a constant reminder of both hidden wonders and the possible unfolding discoveries in nature, and of course the survival skills necessary in this business and in New York.


You can find out more about Christina's museum work and yoga practice by visiting her website.


Want to share your own story and tattoo?
Email Beth: beth (at) redmond-jones (dot) com or Paul: info (at) orselli (dot) net.